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Logic pro x 10.3 tutorial
Logic pro x 10.3 tutorial








  1. Logic pro x 10.3 tutorial pro#
  2. Logic pro x 10.3 tutorial code#

Be sure to make use of the low and high cuts to minimize frequency range repeats. You can add a simple stereo delay onto the top of the bass to give it a little more movement with a stereo width.

Logic pro x 10.3 tutorial pro#

One of the strengths of mixing in Logic Pro X is the way the bass system works.

logic pro x 10.3 tutorial

You can use the two EQs to compress the mid and the side separately. The actual gain structure of a sound is important, especially getting the sound into each of the plugins, will help with achieving a solid sound quality.įor mid side decoding, use two EQ channels one mid channel for the stereo and another channel for the side. A great feature of the new compressors is the ability to trim both input and output gain. This returns the gain to 0db but the idea is to not use a heavy limiter but rather grab the sound. Bring in the VCA compressor at a high ratio of mix and make use of auto gain. Gates were used in the analog days for removing noise, but it is also helpful when working with clap sounds. Gates are useful (but can be overlooked) when working in a digital environment. Using a chain of effects can help with the clap sound.Ī gain plug can be used to mono up the sound, followed by the gate. You can see the transient peaks between these different claps, which can be problematic in terms of getting a consistent level out of the clap. If the clap is panned over and you could see a big volume difference between each of the claps, which can be better viewed as a waveform. Add a little bit of attack to catch those initial transients and provide release off the gain. Logic Pro X updated on the previous version and it gives a lot of access to a better compressor than before.įollow back with Logic Pro X envelope plugin as this is a secret weapon. Once the EQ is complete, add some compression with the tempo. Now, the kick drum is not just about the low-frequency information you want to make sure that the kick cuts through in the mix and a boost in the upper frequency regions can really help. Also, give a boost up at the high regions. Use a resonant boost at around 60 Hz, just to give it a bit more of the thump. If you have a kick drum and a bass all carrying lots of sub information it can get messy when you are in low-frequency ranges. You can move a fair amount of the low frequency using a low cut. Drastic EQ cuts or boosts, at this particular stage, might not sound right and it is better to go back and look at the original sounds. Be sure to look at the EQ when mixing in Logic Pro X. This will allow headroom for any potential mastering in the later stages, but it also means there will be no clipping on the master output. Try to keep the overall level around minus 8db and aim for a master level of approximately minus 6 at the end. If you choose to start the mix here, take a look at the individual elements, starting with the kick drum.

Logic pro x 10.3 tutorial code#

You can color code into different sections to make it a lot easier to see what is going on and you can see, for example, the main drum parts are all being colored green and also take advantage of Logic Pro X track stacks to create a track-stack for a drum bass, which you can then use for extra processingīring out the basic drum track as it stands for mixing in Logic Pro X. It separates out the production and the writing stage from the mixed stage. In this mix everything is being rendered to audio, which is a preferred way of working. Start mixing in Logic Pro X by looping all the drum elements.

logic pro x 10.3 tutorial logic pro x 10.3 tutorial

If you do not get the drums and bass correct, the rest of the track will not work well. It is a very essential part of making sure that the mix is right. Mixing in Logic Pro X will ensure the drums and bass are correct in a dance track. In this video Point Blank instructor Paul Crossman looks at how a mix comes together in Logic, starting with the drums and bass.










Logic pro x 10.3 tutorial